春假

流魔鬼血液的女子，把爱做尽，持枪，比基尼，青春便算是同样疯狂的事情的延续、持续，不腻烦不厌倦不畏惧、流光溢彩，外星人用金钱、枪支、毒品掩饰之下的沉重畏惧、电影里不断重复的对白“你害怕了吗”“胆小鬼”，然后春假把他用一颗子弹的方式隔绝出去，如梦幻一般，如梦幻一般，是对现实的一种逃避，恰似在毒品的作用之下干极致癫狂的事情，把一切理所当然化最终的漂浮的粉红头套，两颗亦是有疼需要依赖的心灵，敞篷车上风拂过的并不是笑意的两张脸，“只需按下按钮，时间便可以停滞下来”，faith说后她们笑了，没有信仰，价值与人性的真空地带，影片把青春与犯罪结合，她们选择自己去拓宽青春于永远埋藏自己，杀戮逃亡于自己的青春，并不是一个按钮那么简单、也许终将仍会是那辆巴士，带你走来也做好带走你的准备，每天都会有班次等待，来的和走的风景，瘫躺于座椅之上的疲惫身躯，算是复苏还是坠降

看完这个我想起lana del rey的这句歌词 还想起大一的时候同楼层走廊尽头的那间宿舍 那是几个七分白人姑娘组成的宿舍 肤白貌美 有胸有腰有屁股 刚开学的时候 我的一个朋友住在里面 朋友是个学霸 常常抱怨他们太蠢太吵 她吐槽的内容 我记得比较清楚的是 她们问她中国是不是也有香蕉 再后来她们的一个七分女朋友找学霸朋友交换了宿舍 美国芭比是最能把人蠢哭的群体 但你没法讨厌她们 她们露了胸部露了腿 你不可能不看 她们恨不得把整盘廉价眼影抹到眼睛上 但没人能跟她们比纯真 他们想做什么 就去做了 她们从来不想 也许她们的脑子容不得她们想 但我觉得这说不定不是坏事

Wie relevant ist der American Dream in den heutigen Vereinigten Staaten? Bedeutet amerikanischer Traum das gleiche für alle und jeden? Wie weit muss man gehen und wie viel muss man opfern, um sich den eigenen American Dream erfüllen, oder es zumindest versuchen zu können? Mit seinem kontroversen Spielfilm Spring Breakers (2012) stellt uns Regisseur Harmony Korine diese Fragen.Spring Break ist endlich da! Für Faith, Candy, Brit und Cotty, vier beste Freundinnen seit der Kindheit, ist das eine spannende aber gleichzeitig beunruhigende Nachricht. Einerseits sind die vier aufgeregt nach Florida zu reisen und dort Partys zu machen, auf der anderen Seite fehlt ihnen genügend Geld dafür. Um ihre Reise zu finanzieren, rauben sie ein Restaurant aus und fangen an sich der illegalen Unterwelt zu nähern.Im Laufe des Spring Breaks landen sie wegen Drogenkonsums im Gefängnis. Sie werden gegen Kaution freigelassen. Ein rau aussehender Rapper namens Alien verspricht ihnen all die Aufregung und den Reiz, die sie sich wünschen. Aber wie weit sind sie bereit zu gehen, um einen typischen amerikanischen Spring Break zu erleben?Durch den Abstieg der naiven Studentinnen in die kriminelle Welt, angelockt lediglich vom Reiz hedonistischer Semesterferien, lädt uns Spring Breakers ein über die heutige Oberflächlichkeit und die Besessenheit mit den stark stilisierten Wegwerf-Popkultur Medien und den sensorischen Eintagsfliegen nachzudenken. Diese leichtsinnige Verfolgung von Glück spiegelt den Ethos vom American Dream wider, der der Gründung der Vereinigten Staaten zugrunde liegt. Aber nicht nur wird dieser Traum hier von Hedonismus und sofortiger Befriedigung geschwächt, sondern die Reise zeigt auch ergreifend die innewohnenden Ungleichheiten in der heutigen amerikanischen Gesellschaft.Diese Sozialkritik, die Korine mit dem Film anzubringen versucht, obwohl relevant und zeitgemäß, ist aber wenig überzeugend und nicht gerade überwältigend, vor allem die Art und Weise, auf die er seine Anschauung zum Ausdruck bringt, diese scheint ambivalent, zögernd, und unsicher. An bestimmten Stellen scheint der Film, als würde er die Objektifizierung der jungen Frauen glorifizieren, Kriminalität und Gewalt preisen, und Promiskuität und Substanzmissbrauch idealisieren.Davon abgesehen, zeigen uns ein paar Darsteller dennoch eine ausgezeichnete Leistung, besonders James Franco in der Rolle des Alien, ein Gangster-Rapper mit Ganzkörper-Tattoos und Goldzähnen. Mit diesem unheimlich vielseitigen und unberechenbar psychotischen Charakter fordert Franco sich selbst heraus und präsentiert uns seine Wandlungsfähigkeit als Schauspieler. Trotzdem reicht Francos exzellente Performance nicht aus den sonst abgestumpften Film zu retten, einen Film, der jahrzehntealte Klischees bedient und nach Selbstbeweihräucherung und Selbstgefälligkeit riecht.

真的能释放压力的佳品，超燃的梦幻，5分的豆瓣评分不知道为什么要较真，电影本来就是放大生活，在课堂上，会议上，工作中，你就没有幻想过不现实却很有快感的故事吗？

那些想做不敢做的事，那些幻想的乐趣，导演给了我一个很“舒服的”故事。

超爱这部电影，虽然被低估，我相信未来会有更多人喜欢这部电影！

就像郝杰的“光棍儿”，周星驰的“大话西游”！

太多不满现状的年轻人总是觉得目前的生活乏味、无趣不是自己想要的生活不管是方式还是人际关系偶得良机一群志同道合寻找自我、释放自我、变现自我其过程难免受伤两位女主角相继逃离可见该过程是举步维艰的那个G就算是信仰Faith吧它引导你去寻找自我寻找自我的过程难免给其他人带来不便 产生矛盾最后，信仰死了凭借自己的力量你胜利了找到了自我请问你失去了什么如果再给你一次机会，你还会去找寻自我吗？？？？

导演：哈莫尼·科林 主演：赛琳娜·戈麦斯 瓦妮莎·哈金斯 艾什莉·本森 詹姆斯·弗兰科误入歧途的青春是一种身不由己的坠落，挥霍这身体的资本是炫耀也是放荡，离谱的春假不知道何时才能摆脱，离开是一种抽身而去，纸醉金迷又令人欲罢不能，留恋的并非是狂欢的派对，在欲望的漩涡中忘记了归期，快感和刺激才是荷尔蒙的解药，只是青春的荷尔蒙总是挥发不尽，才迷恋于快感和刺激中不能自拔。

真没看懂这部电影是要警示年轻人别误入歧途还是在渲染糜烂的“自由”生活，或许导演本身并没有什么倾向性，只不过想给观众讲个故事而已，那这个故事并不吸引人，除了放荡的狂欢中的诱惑和感官刺激以外，电影并没能给观众带来什么实质性的感触，根本没人关心四个小太妹的生死存亡，好不容易费斯的命运有点儿令人牵挂了，结果第一个离去后便也不了了之了，詹姆斯·弗兰科饰演的犯罪份子除了扮相令人“耳目一新”之外其余的也只能用乏善可陈来形容，本以为他会作为撒旦的使者，结果被这两个小丫头片子给玩死了，好像玩了一辈子鹰结果还被鹰叼了。

《春假》这部电影在导演哈莫尼·科林的手中完全失去了青春意义，大麻、乱交和爆粗口都不过是一种直白的形式，而并非是青春的意义所在，导演让这些迷茫的年轻人自寻出路，可眼前唯一的出路只有万劫不复的罪恶，这样的诱导显得过于粗暴，给人一种导演故作深沉生硬拉高影片主旨的感觉，无法真正的令观众有所共鸣。

而且最令人忍无可忍的便是导演剪辑出的闪回和插叙将整体叙事弄得凌乱不堪，而且在我看来也根本没有起到什么特殊的效果，完全只能是导演的一种自我欣赏，就像影片中不断传来重复的画外音一样苍白无力。

《春假》只能算是一部青春电影，而这样的青春实在令人看不懂。

或许倒是詹姆斯·弗兰科那段就想做坏人的独白说出了其中几分道理吧？！

很喜欢这部电影但是不能很好概括感受，贴两篇感觉表达的很好的影评User ReviewsA sometimes thrilling, very hypnotic, poignant piece of filmmaking.28 March 2013 | by grounden1985 (United States) – See all my reviewsI can't describe the elation I felt leaving Spring Breakers--truly one of the best films to hit mainstream cinemas in a long time. It was a breath of fresh air amidst all the cookie cutter romantic comedies, dramas, action films, and horror movies that plague modern cinema. The stamp of a good film is the impact factor--how long it stays with you when it's over. Spring Breakers was a film that stayed with me long after leaving the theater. It didn't evaporate from my mind as soon as I hit the parking lot. This film affects you and leaves you in a mood long after the credits appear.Those seeking a fun "party film" will be disappointed. The TV ads, poster, and cast have probably misled some viewers into thinking this is a cross between The Hangover and Project X. Don't let the cast or the marketing fool you--this is not a "feel good" movie. It's a dark, exciting, tragic look at modern youth culture that doesn't so much as revel in the pop culture sensory overload as hold up a mirror to the audience so we can see some of ourselves in these kids. And if you're like me, you'll find this kind of self-reflection very disturbing. More than once, I was disgusted and enthralled with these characters, not knowing whether I should feel amused, angry, or sad. This is truly the best deconstruction of modern culture I've seen.The movie starts with our main quartet of female characters struggling to find a way around the fact they don't have enough money to travel to Florida for that much-hyped, almost mythical annual rite of passage nearly every college kid in the country has to face at some point: spring break. Selena Gomez is easily the most likable member of the cast--a young girl struggling to balance her Christian faith and values in the moral wasteland that is college life. One moment we see her praying in church, and the next she's passively condoning the fact that her friends have just robbed a restaurant in order to obtain the rest of the money they need to make it to Florida. In one poignant monologue, she speaks of the monotony of life and how everyone is depressed because they wake up and see the same things every day. Her desire to go on spring break is almost spiritual in nature--a soul-searching journey in which she just wants to be someone new and be free.The spring break party scenes are manic--loud music, hypnotic imagery, and disorienting colors all come together like some kind of dream. The fun soon ends once the girls are arrested for using narcotics at a wild party. They have two options: pay a fine, or remain in jail for another two days. Out of money and unwilling to call their parents, the girls languish in jail until a mysterious visitor posts their bail. Enter James Franco as Alien, a white gangster with gold teeth, dreadlocks, and a ton of money and guns to go along with his criminal tendencies. Franco truly breaks out in this performance, becoming someone I never could have imagined he'd be able to pull off back in his Spider-Man days. His intentions are murky and the film never misses an opportunity to make us feel uncomfortable witnessing his interactions with the girls. It's at this point that the film takes a drastic turn into even darker territory, the trip slowly proving itself to be more than a few of them bargained for. Thus begins the tragic slide into the dark nature of these characters, as they find themselves participating in and doing things bound to seduce the audience into an awe-struck state more than once.Not that any of this is told through a conventional narrative. The whole film feels like one crazy, hypnotic dream, from its use of colors to its loud, insane score that ranges from romping party fun to atmospheric, moody pieces that underline the darker moments in the film. The narrative jumps around in time and space, pasted together through flashbacks, flash forwards, and repetitive lines that linger in the back of the viewer's mind like a broken record. The cinematography is flat out excellent and the filmmakers make perfect use of the beautiful Florida scenery amidst all the sheer depravity we witness on screen, with more than a few shots of the beautiful Florida sky and sunset to remind us of our humanity.By the time the film reaches a delirious montage of violence set to the unlikely tune of Britney Spears' song Every time, Korine has us hook, line, and sinker feeling a sense of revulsion and pity for ourselves and the world at large. Any film that can provoke this type of uncomfortable self-contemplation deserves to be praised.In the end, I left the theater feeling like I'd just come off an intense acid trip into the darker recesses of modern culture, emotionally exhausted and ready to get in my car and drive home in silence, reflecting on what I'd just seen.If you're not expecting to have fun and aren't afraid to look inside yourself to that aspect of your personality that craves materialism and vapid entertainment at the expense of losing some of your humanity, go and see Spring Breakers. It's truly one of the best films of 2013 (so far) and will no doubt be a cult classic in years to come. Just don't blame me if the film haunts you long after it's over.Going to be the most hated and yet underrated film to come out this year - Korine at his finestAuthor: thejoshl from Toronto, ON1 April 2013Mr. Korine is a strangely unique director that uses this film to bore you into understanding how a generation growing up with MTV and girls gone wild has deeply mutilated the pursuit of happiness with nihilistic extremity — however his satirical exploration leaves you uncertain whether to laugh, cry out in horror, or stare in disbelief at its overwhelmingly artistic beauty.I watched this opening night and was shocked at how good of a movie it had turned out to be. I wasn't really sure what to expect when I walked in so it turned out to be a nice little treat, but to my disbelief when I got home I began reading up on it and all I could see were tweets and posts about it being the "worst movie ever made" and "absolutely disgusting soft core porn". I couldn't believe that these people watched the same film I did.As far as performances go there isn't much here other than Franco. The four girls do a decent job, the most notable being Selena Gomez although her character wasn't in it for a lot of the highly regarded scenes. James Franco is the star of this film. His performance is dark, uncomfortable and most of all hilarious. He hits it out of the park in the movie managing to make people unsure whether to be uncomfortable or laugh. His character is narcissistic and insane, yet you like him. He brings so much humanity to a place it shouldn't be.Aesthetically, this movie is absolutely brilliant. The cinematography is fantastic. No matter how you feel when you leave this movie there is no denying how well shot it is. The lighting is beautiful and adds this feeling of darkness you might normally find in a well made horror film. Normally I wouldn't appreciate that very much but it was so properly executed with the great editing and slo-mo sequences. No surprise from the sound department either; the sound design and music brought to us by the brilliant Clint Martinez (Drive) makes what seems like a never-ending soundtrack that compliments the visuals masterfully.Under all that the movie still manages to hit its theme, just in a way that a lot of people will miss and I believe this is the key to enjoying the film. It's meant to be boring. The use of repetition is so excessive it leaves a mark. No matter how much fun these girls are having it feels very dull and boring. This is the point! If you think for a second what you're seeing on screen is supposed to make you feel excited than go watch Project X. You're not intended to feel how the girls feel because they don't understand. Throughout the film you should feel uncomfortable, disgusted and at times sad. This film (to the right audience) should be as much a horror film as it is a dark comedy.Spring Breakers is a unique experience featuring lots of depth and style. This film will most likely be the most hated and underrated film to come out this year. I apologize on behalf of the general public Mr. Korine.(8/10)On a side note:The film has been said to support rape culture. I know it can be hard to understand for some people but sometimes film - like a person - uses sarcasm. This is the case. The film shows lots of naked females having fun, very much trying to replicate spring break culture in Florida however the film isn't a mockery of spring break, it's about the marginalized kids who have been brought up on Disney princesses and MTV. The kids who grew up with role models like Paris Hilton and Lindsay Lohan. The film isn't meant to focus on girls losing their innocence but instead girls searching for something and realizing it isn't what they thought it was. Spring Breakers is going to cause a lot of disagreement regardless. After reading this you will love or hate it all the same; what I won't stand for is people being unwilling to look past the surface and see this film for what it really is. Be sure to check out my review site: thejoshlreviews.com

大概是高中，我还在学代数的时候，整日胸闷的就像当下上海的天气，我合上眼，梦见自己端着一挺机枪奔跑在校园，击穿教室的墙壁，击穿围墙，甚至击穿隔壁楼高年级那几个穿着傻逼t恤的傻逼的胸膛。

那挺机枪是我个人的春梦。

所以我看到《春假》的时候，我知道这导演在干什么，他显然把自己的梦视觉化了。

四个美艳少女逃离学校是梦。

抢劫便利店凑旅费是梦。

海边肉欲横流春色无边吸毒嗑药是梦，也只有这个梦是直接梦碎了——唯一此处情节出现警方法官的抓捕和审判，既提示现实和梦境的区别，也阐释导演并没打算鼓励美国春梦的最终实现。

四个loli遇到了怪咖大叔的英雄救美是梦。

大叔与三个金发美女萝莉相伴是梦——这句话甚至成为了台词被说出口。

恰好这个大叔是个只做坏事而且居然有枪有钱有海边大房有文艺情怀有白色钢琴有rap技巧还有爱的型男，这还是梦。

三个萝莉鼓励大叔去找黑社会寻仇是梦。

大叔带着两个萝莉真的去找黑人老大是梦。

黑人老大恰好正在卧室和一黑一白两个丰腴的女人双飞做爱是梦——这句话也是台词，原话是“你像是在我的鸡巴上跳舞，这是我的美国梦”。

威武的大叔刚到现场第一秒即被击毙是梦。

两个萝莉带着头套穿着比基尼飞奔在数十个保镖中，双手持枪，像是发哥一样左右开工，边跑边移动打靶，而且在从未换弹夹的情况下弹无虚发的消灭了全体几十名黑西装保镖，这。。。

是梦。

无论抢劫还是收保护费还是枪击数十人，警方都再未出现，因为这些全是个梦。

一场春梦，香艳至极的春梦。

仅此而已。

我的理解里，本片想利用类似《霓虹恶魔》里鲜艳的色调和混剪表达青春里对纯粹的假期、快乐、放松、激情、欲望、陶醉等等的意识流。

但这道题太难了，所以影片看起来好像除了最后的枪战根本没剧情，空洞且莫名。

没什么比在肉体和思想都还没开始腐烂前，去享受这个世界美好的一面更快乐的事了。

而青春，总好像在你圈起美钞，瞬间吸入那一条，迷幻且快乐。

而当你清醒时，青春已经结束了。

当年那份纯粹的快乐，再也找不回来了。

哪怕你有幸日后可以经常坐着私人飞机，出入各种高级场所，和那一瞬的纯粹都不可比拟。

你只是在用物质堆满你越来越苍老和空洞的内心，麻醉着告诉自己，世界也就这样了。

另一个略有意思的点在于，无论是片头片尾刻意做出的特效字幕，还是少女们在一起的欢愉，都闪烁着霓虹的鲜亮光芒。

这区别于张艺谋导演喜欢和擅长运用的大片自然色。

我的理解里，剧中的配色寓意着，这份快乐是带着浓郁的商业色彩的，就像所有夜店门口的logo灯带一样。

绝大多数的年轻人都不是b站的后浪，没有含着金汤匙出生，这份快乐很纯粹，让人着迷，却总得有人买单的。

笼罩上这层属性，青春也就不再纯粹。

无论如何，拍成这样的意识流注定是不讨好的，这显然不如弄成三段式，让扮相惊艳的nigger弗兰克用毒品和金钱吞噬少女们，其实就是利用她们给自己干脏活。

一开始少女们如鱼得水，活儿干的轻松，钱来的容易，日子过得奢华惬意。

而接下去情况急转直下，在对手的反攻中，少女A被意外击毙。

少女B说动少女CD回家，回到现实。

而正当CD被说动时，弗兰克原形毕露，气急败坏，挟制少女们准备鱼死网破。

少女B惊险逃脱，在最后一亿发子弹互射的高潮戏之后，少女B带着正义的象征JC迟迟赶到。

如果这样拍，至少是部合格的爆米花，也更容易讨好一般的受众。

所以我还是给导演的尝试与探索加分。

现在坦帕市的年轻人都很疯狂，这就是电影《春假》给人留下的印象。

尤其在影片开头，沙滩上是熙熙攘攘的俊男靓女，他们大秀古铜色的肌肤，毫不遮掩地显露出如火激情。

他们朝镜头挤过来，鼓噪着你的耳膜，勾引着你的视线。

配乐演唱者是Skrillex，他唱过很多温柔情歌，比如“Bangarang”、“Kill Everybody”等。

粉红色、橘黄色层层叠叠，眼前这幅马蒂斯的画作便有了贾科梅蒂的风格。

你想知道是谁缔造出此番喧腾——这滴淌着的棒冰，这冒着泡的扎啤，这赤裸的胴体，和这炭烤味儿的日子。

是“糖果人”吗？

不。

执导筒的人是哈莫尼·科林，一个已经40岁却仍葆童心的男人。

在科林只有19岁时，他就曾给摄影师拉里·克拉克写过一个名为《半熟少年》的剧本。

他对现实生活一直持有挑衅的态度。

在曾经执导过《奇异小子》（1997）、《驴孩朱丽安》（1999）、《孤独先生》（2007）、《垃圾保险杆》（2009）等“大逆不道”的作品后，现在科林的作品不再那么过激了。

之前他的电影大多讲述叛逆行为，形式偏向实验性，而此次的《春假》则像一次对于他早年为所欲为的一次反思。

詹姆斯·弗兰科曾以《127小时》获得奥斯卡影帝提名，后来却成了著名行为艺术家，执导另类短片、办艺术展览，将各种象征暴力、色情的元素玩得不亦乐乎。

想必导演与弗兰科臭味相投，两个叛逆分子一拍即合。

于是片中的男主角弗兰科梳着脏辫儿，满口金牙，唱着痞气十足的饶舌歌曲。

四个热辣的比基尼女郎伴其左右，共同挥洒青春狂野。

酣畅淋漓的暴力狂欢过后，电影却给人留下余味无穷的思考。

导演曾经说过，其实流行文化与暴力是一样的。

人们为流行文化而疯狂，可这种狂躁终究会悄悄流逝，就像当初悄悄到来一样。

哈莫尼·科林已经到了不惑之年，今后他的热情能否还如今日般滚烫？

（部分为编译）【电影世界】