黑帮领地

如果现代黑帮片的精髓是智斗、权谋与血色浪漫，那这部剧堪称“反向教科书”！

它用实力证明：当黑帮家族全员智商跌破地平线，连汤老师都会替他们尴尬。

康拉德决策逻辑：疯婆子至上“人线玩偶”（在内厌恶疯婆子，在外呵护）内鬼排查“发小照杀”（还不确定是不是内鬼）当众拦下暗杀责任的时候，连旁边的疯婆子都懵了，心想：“康哥哥你是真爱❤️”。

1、整条主线就是为了智障孙子忙上忙下，图啥？

后翼最该弃的兵，不是这个 sb 吗？

全家被这个疯婆子玩弄于股掌之中2、疯婆子看似“老谋深算”，实则疯+傻，葬礼挑衅，婆孙上演“二人转”，一个被撵回家，一个被下药，看到这汤老师都笑了，你怎么敢在人家地盘撒野的？

要打起来你有武器吗？

3、整部剧就里面的女性最聪明，除了疯婆子，哈利的老婆、哈利的女儿、凯文的老婆全都知道这个家族就是一坨💩，硬是陪着这些巨婴过家家。

4、哈利为这个家族付出的动机背景一点没有，在得知哈利只是收钱办事，为家族搭上全家性命危机的时候，直接魅力大减，你是有什么把柄在人家手上还是想上位？

真是一点没看出来，你既然收集了那么多人见不得光的资料，你别告诉我没收集这帮家族的资料？

这么蠢的家族，你是为了什么硬着头皮上？

5、警察线直接被边缘化，永远都是来晚一步，也仅仅是作为牵制火拼的工具人存在。

6、里面的人物塑造没有一个讨喜的，没有一个，连哈利都不是，就是往着人类的弱点去拍的，有多蠢有多傻都给拍出来了，也许这也是一种能力吧。

更新至 7 集———————-1、让人生理不适的 2 个点；一个是哈利女儿跟艾迪乱搞，一个是疯婆子装哭，真想一巴掌呼过去 2、疯婆子真没招，刚开始你以为她是一个大 boss，游走于 2 个家族之间内斗，操纵人线玩偶，可每次她的操作都让你头上打无数个问号❓这集直接给瑞奇“买一送一”，你刚杀完人家老婆孩子，你还指望人家给你讲武德？

3、哈利就是一个 bug 的存在，这人格魅力一通电话就搞定的事情，你折腾什么？

有这实力早打电话不完事了？

还冒着生命危险单骑救阿斗？

4、要想拯救这部剧，必须让哈利根家族全死，疯婆子+艾迪+康拉德必须全死，因为厌蠢症真的看不了一点，然后第二季哈利投奔凯特，再把电影【绅士们】的米奇搬出来抗衡第10集——真的太恶心了，我不知道为什么要追完，最后真的差点吐了，怀疑这部剧纯纯为了恶心人拍的，贝拉这个角色设定，被双父亲qj，真的让人生理不适，为了让凯文解脱血缘关系吗？

真的大可不必，不是没有其他手法，这关系简直就是恶心人的，这个埃迪还想干掉亲妈，简直了，真的蠢到没边这个哈里，纯纯的装，太装了，盖里奇你再突出个人英雄主义，也不能把观众当傻子啊！

这都什么破家庭，你还讲忠诚，哈里最后跟凯特说：我请你尊重我忠诚的时候，我真的笑了，你是把灵魂卖给哈利根家族了吗？

是个傻子都知道怎么做对自己更好吧？

要么投奔凯特，要么就算你要帮凯文上位，除掉康拉德还有疯婆子，跟凯特谈好交易，人家至少帮过你，你在人家家里，这是你跟凯特说话的样子吗？

其次凯特为什么不直接动手干掉哈里？

还指望哈里回心转意？

盖里奇是一个发挥极其不稳定的导演，太随性，太看感觉，就像一个美术生，文化科也仅仅是及格，但是能不能上一个好点的大学还得看美术分，但是艺术这个东西太看感觉，与其相反的就是诺兰，人家就是妥妥的学霸。

这是一部披着黑帮外衣的荒诞寓言剧它用全员降智的黑色幽默，讽刺了当代职场（领导拍脑门、同事拖后腿、唯一聪明人被迫背锅）；用军师的孤独预言了AI统治人类后的困境用反派自毁诠释了“毁灭吧累了”的终极摆烂美学。

劇情銳利如刀，緊張感從不鬆弛，角色行為始終符合其本性——而非僅為推動劇情服務。

無論是政治野心、喪失之痛、忠誠還是背叛，每個動機都紮實可信，毫不突兀。

哈里是全劇最耀眼的明星：沉著冷靜，忠誠到近乎偏執。

這種角色在當今影視中極為罕見——他能以平靜的權威力挽狂瀾於既倒。

他與凱文之間的互動充滿層次卻不流於煽情，源於共同的歷史與真摯的情感紐帶。

敘事緊湊有力，節奏從未松懈。

影片以自信的方式構建緊張感——風格十足卻不浮誇，聰明機智卻不自鳴得意。

每個場景都讓你更深陷於它描繪的黑幫世界。

首集就驚艷全場。

精良的製作、緊湊的節奏、精準的氛圍把控，讓人一看就知道這劇知道自己要什麽，於是我繼續追下去。

劇情線交織得嚴絲合縫，每個轉折都水到渠成，每個揭露都恰到好處。

而角色...這才是真正的殺手鐧。

那些你本該憎恨的人物，你卻開始理解他們。

本劇的強項在於克制之美。

它不依賴炫目的視覺效果或連續不斷的動作戲，而是透過寫實風格與精湛演技來營造張力。

不過若你期待蓋·里奇式瘋狂能量——那些鋒利對白、標誌性剪輯或誇張炫酷的風格——可能會略感失望。

畢竟里奇只是本劇製片人而非創作者，這點從劇本風格便能看出：更樸實，更冷峻。

它並非十全十美之作。

儘管扣人心弦，但是不像那些層次豐富、體系完整的劇集那樣值得重溫。

當所有謎團揭曉後，二次觀看能發現的新內容實在有限。

但作為單次觀影體驗，絕對值得。

内鬼是谁？

这其实个伪命题。

在黑帮世界中，谁还不是“内鬼”？

所谓忠诚、所谓家人，恐怕都并不比一英镑更值钱。

但如果非要找出向警方通报阿尔奇丧命消息的“内鬼”，也不是太难——康拉德（布鲁斯南）、或是哈利。

梅芙也在诱导康拉德作出“不是你，那就只能是哈利”的判断。

问题是，梅老太婆凭什么就把自己摘干净了？

阿尔奇之死，梅芙对康拉德的激将法“功不可没”（事后康拉德也明显对自己太快上头懊恼不已）。

事儿是被她挑动激化的，处理尸体的过程她虽没直接下令，很可能也得到了康拉德的通报。

至少前四集里，老康时常在棘手问题上问计于她是事实。

那会是“第一嫌疑人”哈利吗？

当然不大会。

哈利不太可能是警方卧底。

原因一：干卧底的人老婆孩子成了明牌，所有人都可以轻易拿捏要挟，还卧个毛线啊？

原因二：警方都有这个内线了，何必还派个所谓心理医生去接近他老婆？

当然在编剧眼中，世事无绝对——哈利有一定可能确是卧底，但他的真实身份，并不是天天跟在屁股后面的低阶警员所能了解的。

后者对他的迫近跟踪，反而成了哈利“忠诚”于家族的伪装和掩护（这一点梅芙有可能没猜错）。

干掉汤米的真凶是谁？

第四集梅芙跟孙子的对话中，孙子明确问“我们做错了吗？

”这意思再明白不过——汤米是梅芙指使孙子埃迪做掉的。

梅芙“爱”哈里根家族吗？

（这个问题也可以侧面回答她是否为内鬼，或者更准确说是“当下的内鬼”）个人认为，说她爱家族那就是笑话。

老康风流成性、出轨不断，何止于四五六七八个，甚至能干出把情人送给自己儿子凯文接盘的骚操作。

他这方面的觉悟实在比“为生活所迫涉黑”的唐科列奥尼同志差远了。

那她至少爱孙子吧？

我的回答是——真不一定。

假如哪天编剧告诉大家，黑三代埃迪其实是康拉德播的种，我绝不感到意外（相信凯文也不会对这个儿子其实是由老爹替他代劳感到意外）。

毕竟老康在儿媳怀孕那段时间跟儿子共享美人，是大概率的。

既然老公不忠、孙子也可能是老公的私生子，梅芙还有什么忠诚于家族的理由？

最后，内鬼会是老大凯文、老二布伦丹、老三印度妞塞拉菲娜吗？

自然都有可能。

但仅从目前展开的情节来看，他们或许将来也会是某种意义上的内鬼，但在阿尔奇之死的问题上，他们向警方通风报信的嫌疑，远低于前面说的三个人，且嫌疑依次下降。

两星一星给汤老师 一星给其他演员剧情很一般 黑帮电影电视太多了美国拍的最多 英国 法国 意大利 德国 甚至俄罗斯都有不错的黑帮片黑吃黑的题材太老套了 所以一般都要加点帅哥美女 或者床戏啥的比如金斯顿市长 其实也可以看成是黑帮片 调解人吧啦吧啦感觉这题材真的很难再拍出新意 最明显的例子就是本剧 演员都不错 多数人也都是老演员了 都能找到自己的定位 台词也可以。

关键就是剧情 感觉纯粹是为了把这些演员攒在一起临时编的尤其是看到第四集结尾 里奇老婆的车子爆炸 这也太公式化了吧？

纯粹为了能拍下一集是吧？

就这么生硬的给延续故事是吧？

很休闲的剧，很多的冷幽默。

在传统黑帮片比较少见。

整体质感还是可以的，看汤老师忙的焦头烂额仿佛看到了我们倒霉的中层领导。

但汤老师这个剧里应该是开了。

一个人救俩兄妹，不看片名以为是飓风营救。

那大兄弟也算喜剧担当了。

007也挺有风格的，气质这块还挺不错。

queen原来是罗马帝国艳情史和 厨师、大盗、他的太太和她的情人 的海伦米勒，第一眼还没看出来。

都过去20-30年了，疯癫这块也是棋逢对手了。

整体来说还是很喜欢这个片子的，另外女律师长得也太好看了。

又狠又蠢的话事人和草台班子十足的团队，疯癫又嚣张的行事时刻提醒世界：老子还很行，MAGA…，但又无可奈何的日薄西山花落去，只是康拉德家族还有哈利这样的清醒者在力挽狂澜，修修补补，川普的哈利在哪里呢？

只有一堆川普一句顶一万句的马屁精和眼线男这样的助纣为虐心怀鬼胎的投机者，加油折腾吧，康拉德川普！

最近挖到一部能让黑帮片爱好者瞳孔地震的硬核新剧，如果你爱看《浴血黑帮》的权谋算计，或是《教父》式的家族史诗，这部剧绝对对胃口。

黑帮领地MobLand

本剧共10集，目前已更至04集，豆瓣8.3分。

盖・里奇联手汤姆・哈迪、皮尔斯・布鲁斯南和海伦・米伦，把伦敦黑道的腥风血雨拍成了一场精密的权力博弈，每帧画面都透着 “生人勿近” 的狠劲，让人忍不住想一口气啃完。

作为 “最懂男人戏” 的导演，盖・里奇这次玩得更狠。

汤姆・哈迪饰演的 “调解人” 哈利，表面是在两大黑帮间和稀泥的老好人，实则是刀口上舔血的清道夫。

首集开场就是名场面：他笑眯眯地劝和两个帮派，转身就按雇主康拉德（皮尔斯・布鲁斯南饰）的暗示开枪灭口，西装革履下的冷血气质简直溢出屏幕。

哈迪把这种 “温柔刀” 式的狠辣演得出神入化，挑眉时的狡黠、压低嗓音威胁人时的压迫感，让人想起他早年在《摇滚黑帮》的生猛，又多了份历经世事的老辣。

剧情从一场疯狂的夜店冲突开始，哈里根家族的纨绔孙子埃迪酒后捅人，把两大帮派拖进了风暴眼。

布鲁斯南饰演的家族首领康拉德，明明穿着定制西装喝着威士忌，却能面不改色地下令处决亲信，优雅外表下藏着毒蛇般的狠戾。

而海伦・米伦饰演的家族智囊梅芙更绝，她轻抚孙子头发时像慈祥祖母，转头就能用一句 “斩草要除根” 让康拉德改变计划，高跟鞋踩过的地方，全是权力的暗礁。

这部剧最勾人的，是把黑帮斗争拍出了 “狼人杀” 的悬疑感。

埃迪和敌对家族的汤米夜店狂欢后，汤米神秘失踪，监控录像、目击者证词、家族间的互相猜忌，像多米诺骨牌一样倒塌。

哈利在医院威胁受害者改口供那场戏，明明没有血腥镜头，却靠哈迪似笑非笑的眼神和压低的嗓音，把 “温柔威胁” 的压迫感拉满。

你能清楚感受到，这不是简单的黑帮火并，而是一场精心设计的权力绞杀，每个人都是棋盘上的棋子，随时可能被吃掉。

而镜头语言更是绝，雨夜的伦敦街道、昏暗的俱乐部灯光、大佬们西装上的褶皱，每个画面都在诉说 “黑道无温情”。

比起无脑爽剧，《黑帮领地》更像一场权力人性的解剖课。

盖・里奇用扎实的剧本和老戏骨的演技，证明黑帮剧不止有打打杀杀，更有人性在权力熔炉里的淬炼。

目前更新的几集，每集都在铺陈更大的局，哈利能否在两大帮派的绞杀中全身而退，汤米失踪的真相到底是什么，梅芙的伤疤背后藏着什么秘密……这些悬念像钩子一样勾着人，让人忍不住想知道，在这个弱肉强食的黑道世界，究竟谁能活到最后，又有谁能守住最后一丝人性。

黑帮的世界没有对错，只有输赢。

《黑帮领地》不是让你爽完就忘的爆米花剧，当权力成为唯一的信仰，人究竟会变成棋子，还是执棋者？

或许，这就是黑帮题材永远迷人的地方。

它照见的，从来不止是黑道的血腥，更是人性深处的欲望与挣扎。

现在，这场充满火药味的权力游戏已经开场，你准备好入局了吗？

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梅芙刚开始毫无征兆地指出老朋友是内奸时，还让人觉得睿智；她向老公的对头透漏家族人员的信息时，真让人无语。

家族里有个艾迪已经够让人头疼了，老太太更不让人省心。

大家都认为是哈瑞根丧心疯了，其实应该是那一老一小是疯子加蠢货。

反观哈瑞根，不是顺应形势、有效作为吗？

人是“多样”易变而自主的，外在变局是前所未有的，人性的弱点与社会的发展永远是催生世界向前运动的动力。

所有的矛盾、意外都需要老布（鲁斯南，哈）来定夺，老布的决定既出乎意料，又让人折服，尤其在克服来自内部自以为是的“队友”制造的“意外”时，远比解决外部挑战时困难的多的情况下。

哈迪的最难能可贵的点，就在于他知道该听谁、信谁、服谁，强劲的执行力只有在正确的方向下，才有意义和效果。

《资治通鉴》第一篇值得不断去结合着事与感受去体会，在不断分崩离析的时间里，哈瑞根展示了鲜活的灵活性与原则性，事儿就应该这么办，态度就应该这么表达，真实而不是想象的历史就是这样的

作为中年男人，看这剧非常有共鸣：即便你使尽浑身解数努力生活，已经是顶尖专业人士，总是在战斗中一次次胜利，奈何你有个傻逼的老板，混乱的公司，对你怎么都不满意的老婆，和一个可爱但叛逆啥也不懂事的孩子。

你想照顾好他们每个人：你敬爱你的老板，想和他一起拼一番事业，但他已不复当年睿智，总是辜负你的辛苦；你忠于你的公司，想靠努力打拼创造辉煌，但公司里面错综复杂互相内耗的关系，总有解决不完的问题拖你后腿；你热爱家庭，努力工作竭尽所能想给妻儿美好的生活，他们却怪你照顾家庭太少不够关心他们，并因此要惩罚你。

唯一能减压的可能就是工作，还有面对同样困境的兄弟。

看到大量骂哈利根家全员智商问题的，但有没有可能编剧就是这么编的呢？

墨西哥人说了：康拉德老了，不再是十年前的强大，现在衰老疯狂混乱。

比如炸死对手老婆却没提前准备，导致儿女遇险，貌似矢智到瞎编；但牛逼如曹操当年起兵也差点坑死老爹，历史上类似情况多了，他一个草莽黑帮犯这种错实在不算稀奇，只能说老头实在昏聩了。

又如说主角老婆多事傻缺到不合逻辑，但实际上这样的女性不要太多。

Harry和Bella的关系，剧里表现的是有点儿暧昧，播了四集，Harry已经私下三次单独去找Bella帮她解决问题，尤其Bella说的那几句言辞暧昧的话，绝对是挑逗性的，就让人感觉俩人以前有点儿啥事似的。

不过第四集最出人意料的是Bella是Conrad的旧情人、爹把情人转手给儿子这一重磅，这么来看，Harry和Bella就不太可能有过啥了，而以Harry对Kevin的义气和对Harrigan家的忠诚感来说，他也不太可能和Bella有过啥。

就连汤老师在接受Collider采访时被问Harry跟Bella咋回事时都说There's nothing going on there. 不过第四集最后俩人对Kevin的问话回答不一，估计也对未来三人关系的走向埋下了伏笔（讲真，感觉Kevin实惨：蹲监狱被侵犯、老婆是爹给的二手、儿子是个疯批祸害而且是不是亲生的现在都说不好、自己住的房子还被炸飞了） 。

这剧是慢热型（不管咋说，汤老师的Hardy Son & Baker到现在为止不做烂剧，自己公司拍的自己主演的目前也只有《禁忌》和MobLand，IMDb打分都是8.3），第一集无感，之后渐入佳境。

得赞一个汤老师，做到了演技松弛+张力兼得，是暴徒，却也彬彬有礼 （突然让我想到略萨在他小说里用的词“温柔的暴力或粗暴的柔情”），无论什么惊悚血腥场面，几乎没有情绪失控的时候，只有Jan告诉他Conrad来过家里后，才惊爆F四字（说到汤老师，这些年下来，他是只接狠人戏不接普通人的戏了，反正要么是黑帮、犯罪分子、恶徒亡命徒，要么是警察、军人、拳击手、不怕死的勇夫啥的，也对，很多年前看过他演一个轻喜风格小浪漫风的电影，就感觉非常不搭，难怪他自己都说再不演这款了。

可惜，看不到汤老师演个深情款，就连年轻时演爱情戏，也挑了个个色的——《呼啸山庄》里的希刺克厉夫。

尽管汤老师现在接受采访时总嘲自己又老又丑，但也奇怪，无论是十多年前还是现在，只要看他的戏，总能不由自主被迷住）。

BTW，第二集Harry在酒吧暴虐店主那段的BGM是The Prodigy的Breathe，和汤老师的气场真是太搭太带感了，找了一下剧里的歌曲（更新中）：Starburster – Fontaines D.C. (Opening Theme / Closing Credits Music) Episode 1 “Stick or Twist” Deeper Underground – Jamiroquai & Don Diablo Firestarter – The Prodigy Episode 2 “Jigsaw Puzzle”Dark Days – Yard Act gy Episode 3 “Plan B”Dark Days – Yard Act Episode 5 “Funeral for a Friend”People Ain’t No Good – Nick Cave and the Bad Seeds 最后五集的名字，谁来盲猜个谜底。

"Antwerp Blues""The Crossroads""Helter Skelter""Beggars Banquet""The Beast In Me"（这个me是Harry吧？

）PS 巧了，中午走在路上看见这么一个，哈哈哈哈！

PS2 贴一个《卫报》的MobLand剧评，这把汤老师给夸的Tom Hardy can be very persuasive. In Taboo, people did what he said because he’d growled something intimidatingly gothic at them; in Locke, they knew he’d only phone back later if they didn’t give in; in the Kray brothers biopic Legend, there were two Tom Hardys and they were both holding claw hammers. Whenever he’s the celebrity reader on CBeebies Bedtime Stories, meanwhile, half of the adults watching wouldn’t need any persuading.The idea that a Tom Hardy character cajoling, threatening or influencing someone is an art form in itself is the core of MobLand, a decent new gangster epic that casts Hardy as top fixer Harry Da Souza. Harry works for the Harrigans, the Irish clan who dominate the London drugs and guns scene, but who are prone to excess and perhaps not as savvy as they once were. Their charming, clinical lieutenant Harry cleans up their messes.Problem one in episode one is that spoiled wild child Eddie Harrigan (Anson Boon) has been on a bender which ended with the stabbing of a geezer in a nightclub – “I gave him a plunge,” says Eddie, his voice too plummy to pull off hardman vernacular – and which could cause the perennial tension between the Harrigans and cockney crime dynasty the Stevensons to develop into a properly naughty war. Harry has to bring Eddie to heel, placate enemy kingpin Richie Stevenson (Geoff Bell), and either sweet-talk or scare witnesses to the knifing, according to whether he wants them to share information or keep stumm. Then he ambles back to his luxury Thames-view apartment, where his neglected wife, Jan (Joanne Froggatt), demands he sign up for couples counselling – but before she can finish her list of grievances, Harry’s phone goes off and he’s reporting for duty again.Hardy’s charisma here is made of confidence and competence: Harry is a guy whose strong hands sort things out. “If I say I’m going to do something,” he says, when his reliability is questioned, “it gets done.” MobLand’s writer/creator Ronan Bennett is interested in organised crime as a business that runs on common sense and people management: while the Harrigans make the big decisions, the workaholic Harry liaises with their industry’s toothless regulator (the police), disciplines errant staff members and implements the odd, rather sudden, redundancy. Harry is essentially a resourceful, well-connected executive, so Hardy gives him a penetrating articulacy, only occasionally flecked with the rough grit Harry must have had in his days as a foot soldier.“Right now, I am in first gear,” says a gun-wielding Harry to two toerags who think they’re hard enough to not do what he tells them. Hardy delivers the punchline – “Would you like to see me shift to sixth?” so calmly that he’s barely audible, which is awfully close to hilarious. But Bennett and Hardy are willing to lean in to Harry’s comic potential, as when he tells another small-time crook what will happen if he crosses the Harrigans: “I, or possibly one of my associates, depending on my availability, will find you.”The Harrigans are fun, too. There’s the boss, Conrad, a wax-jacketed nouveau aristocrat who spits on his hands and claps when he receives good news, or murders people when he doesn’t. What may be mistaken for an erratic performance by Pierce Brosnan is an attempt to embody a dangerously erratic man. Then there’s the real boss, Conrad’s omniscient wife, Maeve (Helen Mirren), and their son Kevin (Paddy Considine), Eddie’s dad, whose missing ruthless streak means he’s constantly professionally cuckolded by Harry, who is not blood but is the favoured child.If MobLand sounds like a more sophisticated take on the cartoon gangster shenanigans of a Guy Ritchie film, that’s what it is: Ritchie directs the first two episodes. You expect either to dismiss a new Ritchie project as crass twaddle, or to quietly chide yourself for enjoying something that probably is crass twaddle, but has been made with enough mischief and flair for you to stop fussing and have a good time. This, however, isn’t in either category.Ritchie’s direction is … pretty good. Accomplished. Smooth. He flexes various muscles he has built up in previous work, as he takes us to old-school boxing gyms and flat-roofed Isle of Dogs boozers, gentleman’s clubs and Cotswolds estates. We’re tasting jellied eels in one mouthful and caviar in the next, the point being that successful criminals often achieve a level of wealth they were not born to handle.Aside from that, and some indications that Maeve’s power comes from having learned to weaponise the dark perversities of the men in her life, there’s not much of the psychological depth that a premium mob saga runs on. But if you ever start thinking MobLand isn’t worth your time, Tom Hardy will be along shortly to convince you otherwise.PS3 第五集的Maeve太疯了。

MobLand已到季中，五集有四集是在结尾挂掉一个人，反转比当年“权游”有过之而无不及。

第五集刚一播完，外媒已经开骂了。

比如Screen Rant就说该剧叙事生硬、剧情线不讲究动机与连贯性、多条支线被随意拾起又丢弃、临近季中仍无清晰主线，并说第五集剧情更是混乱（Esquire也搞笑地说by now, the story has racked up more lines than Eddie Harrigan on a night out.）、最后十分钟突然反转仿佛前四集从未存在、布鲁斯南和米伦饰演的角色令人厌倦是严重选角失误等等等等（这么一看，戏剧感是有点儿过于刻意了，Maeve疯得太过了，谁让海伦·米伦说她是以演麦克白夫人的方式演Maeve呢）。

当然也有夸Richie这个角色演得好的（Richie简直不要太惨）。

《洛杉矶时报》采访布鲁斯南让他透露点儿MobLand后续剧情时，他回答：There’s a fair bit of blood. Not everyone is who they say they are. And there’s a particular rat in the pack. There’s quite a few surprises. All the scripts were consistent with what you’ve already seen. If anything, the writing gets stronger. And there’s an introduction of a particular character who alters the landscape. But don’t trust any of them. 总之，线头儿忒多，一季是讲不明白了，还得有第二季。

我的天，我才发现海报上汤老师的右手。。。

是P过的！

IMDb上不知道是写错了还是啥，第一季全部十集都出现的角色只有Harry、Conrad、Jan、Bella、Eddie、Maeve，而Kevin只有五集，也就是说两个疯子Eddie和Maeve至少到第一季结尾都还活着，而Kevin。。。

要挂不成？

PS4 MobLand热播，还有《毒劫》（MobLand刷新了Paramount+一个开播纪录，《毒劫》虽然评价呈两极，但上线首周即登顶网飞全球收视榜）。

所以，Slate上有篇文章写得挺有意思，叫How I Learned to Stop Worrying and Love Tom Hardy （The star of the Venom movies and Mad Max: Fury Road was supposed to be the next Brando. He’s turned out to be something else entirely.） https://slate.com/culture/2025/04/tom-hardy-havoc-mobland-venom-movies-netflix.html 在谈到这两个作品时说：MobLand is a show about compartmentalization, about how getting in bed with evil prevents you from ever being your full self. It thus requires a lead performance that is a simmering pot, never quite at full boil. Harry is always pretending he’s OK. In one scene, he’s like a charming little boy trying to dodge a fight with his wife, and in another, while shaking down a witness, he’s the most dangerous man you’ve ever met. Harry can turn that danger on or off like a table lamp, using subtle changes in tone of voice and physical presence. The whole performance is as intricate as the wrinkles in Hardy’s forehead, in a way that a more conventional star would’ve probably not bothered with. MobLand is compulsively watchable, but beyond its performances (the great Paddy Considine and Downton Abbey’s Joanne Froggatt do excellent work as well), it’s pretty shallow. By taking the role seriously, even though it’s for a work of popcorn entertainment, he both anchors and deepens the show. The same is true for Havoc, which, if you like your action grim and relentless, will suit your fancy. Yeah, he does the eye thing, but watch closely, and you’ll see that he’s developed a total physicality for the role of Walker, one in which he is always listing slightly to the right, and somehow manages to lumber and move with ginger hesitancy at the same time, indicating a body that has taken its share of hits over the years. Vulture这篇超长的汤老师作品大排名也值得一看 https://www.vulture.com/article/best-tom-hardy-movies-ranked.html再次回到这篇一开始的问题Harry和Bella的关系，因为又看到一篇Collider采访剧中女演员们的文章，Collider直接说Harry和Bella此前是有点儿啥的，问Bella的饰演者Lara Pulver未来二人关系走向如何，回：“像猫鼠游戏”： I think Bella finds fun and almost a reprieve in Harry. They share wit and humor. Look, I'm not sure whether she emotionally or physically wants to get involved with Harry, but she has a lot of fun poking at the bear. It's a bit cat and mouse-y, a bit of just pushing boundaries. I think she's a bit sick of the identity, and the place that she's been in for quite a while, and it's almost like she's rebelling, and just flexing her muscles and seeing what avenues she can explore. 汤老师语录：“I have been an actor for quite a while now. I’m old. It’s okay though because I always wanted to play the characters when I was younger that I’m the age to play now - and now, I want to be young again.” When asking Hardy about his own acting method today, he said, “Oh, I don’t have a method. I’ve studied so many methods - so many - that you take a little bit from everything. Ultimately, the fundamental that I have, if anything, is Do I like this? What do I like about it? and ask questions. Get to know the people I’m working with on it, especially the writer, the director. Get right in the middle of the weeds with them and understand what is it that you want to say, because I can create and conjure.” He added: “You take what works for you and everybody’s different - in the same way I wouldn’t advise another actor how to do something. It’s not my business. It’s a language - any method necessary. If anything, I’ve refined that to just the joy of storytelling.”He added about his current mindset towards acting: “Sometimes, it’s not a question of going out there and doing like, I did the greatest performance of my life! It’s not that anymore. That was a young Tom - that doesn’t really matter in the same way. What matters are the choices that I’m making. Do they work with other people? Can I still go for things that I’m excited to go for, that are a challenge, while also still meeting the requirements within the team, as well?”Regarding the evolving landscape of the film and television industry, Hardy said, “I’ve noticed patterns or things move from shooting on film to digital to streamers. Post-Covid, I’ve noticed the sort of changes in genres that have been popular. The changes in chasing the tax - like cutbacks. What countries we’re going to then? Where do we hire crews from? It’s these patterns, but it further immerses one in the industry of going, I’m a functioning part of that, which is something I’m really grateful for. I never really chased wanting to be a celebrity or be famous or anything like that. I love working. If I don’t work, I love doing jiu-jitsu. I will find fun in what I do. I’m curious and I want to be part of and useful and serve a purpose.”“There is a part of me that’s gone back to the drawing board. New starts - I think there’s a return to what’s important of why I started, what I can do now. This is a generational thing, so an acting career shouldn’t stop just because you’re 50 now. It’s about recalibration and laying the track down for things that are meaningful and have purpose. And if not, don’t do them - don’t do anything. Just let it go. Some things are more important than just doing for the sake of doing, you know?”关于与塞隆的不和（只看Mad Max是很难想象的，片中俩人完成度太高了，结尾的眼神戏真好）：Hardy admitted that he'd been 'over my head in many ways' at the time, adding: "What she needed was a better, perhaps more experienced partner in me... That's something that can't be faked. I'd like to think that now that I'm older and uglier, I could rise to that occasion." PS5 第六集实在让人一言难尽。。。

不过，居然还有外媒盯着Harry、Jan、Bella所谓三角关系的？！

真的是三角关系吗？！

称：Jan Da Souza and Bella Harrigan also came face to face for the first time under awkward circumstances. This not only gives audiences a different dynamic to up the ante, but also allows these two actors time to lock horns. There is an emotional rivalry and latent love triangle between them and Harry, which deepens this melodrama and proves “Antwerp Blues” is about more than a diamond deal. 第六集一共才40分钟出点儿头长，Harry的戏份儿每一帧都变得宝贵起来，在Harrigan家听父子争执时的那几个小眼神真的是出彩儿。

Screen Rant毒舌得搞笑，说第六集"There’s a shootout, though Harry misses it. Hardy’s face is covered by a motorcycle helmet for half the episode as he rushes to collect the sibs; he may not have even been on set."又是随便看到的一篇类比汤老师和马龙·白兰度的文章https://faroutmagazine.co.uk/actor-christopher-nolan-compared-to-marlon-brando/，也挺有意思。

Ever since he permanently changed the face of screen acting, at least one actor has emerged with each passing generation who earns comparisons to Marlon Brando, for better or worse… Robert De Niro, Al Pacino, and Jack Nicholson are three that instantly come to mind, and while the trio are definitely among the all-time greats, none of them would dare suggest they could even dream of lacing up Brando’s boots. They each possessed similar traits, though, and his status as the measuring stick ensured his name would always be invoked… For a 21st century counterpoint, most people would be quick to point to Tom Hardy. 这评价，厉害了。

文中还有诺兰提到的汤老师的内外表现力的魅力："He combines the inner intensity of Brando with the outer expressiveness of a Charles Laughton."Vogue搞的这个也够搞笑，尽管是2014年的。

最新出炉的Esquire采访https://www.esquire.com/uk/culture/a64686546/tom-hardy-interview-2025/?taid=681ddfdb79cfff00010eac09&utm_campaign=trueanthem&utm_medium=social&utm_source=twitter&continueFlag=6f39947fef29754d9e9f7220048c959f 而且透露了MobLand会有三季，第二季今年10月开拍。

PS6 Harrigan家终于赔上一个了，老让Richie家挂人也是不合适。

这剧现在是主打一个瞎编了，就这，还要编三季？！

算了，瞎编就瞎编吧，谁让你瞎编也没妨碍我们追呢，掩面中。。。

Has MobLand Been Renewed For Season 2?Nope, but hang tight. Hardy has been teasing plans for the Harrigans and Harry to go “international” to continue for “more seasons,” as he told Hollywood Reporter:“The plan is definitely to see more seasons. The question is: Does it become international? There are international elements to organized crime, which are touched on in season one and the control of drugs and ammunition and weapons and people and all kinds of things that go through Europe and from Africa through to South America, Pakistan and the variable commodities that move around Europe. There are families that are involved in each European country that are vying for power to have that status to be able to move these kind of commodities through and who polices that and how that fits into a world stage.”无法想象，第二季这“国际化”得胡编乱造成啥样。。。

搞笑的是，ChatGPT还给我来了个：哈里角色发展与心理演变曲线（第1集至第7集）

Screen Rant最新的这篇剧评骂得又狠又搞笑，https://screenrant.com/mobland-season-1-episode-7-review/ "Hey don't worry, we'll get to these plots soon! Just as soon as we figure out what we're doing in the main story!"

PS7 这两天老罗在今年戛纳拿了一个终身成就奖，这让我昨天早上想起了“黑帮专业户”老罗当年令人泪流满面的《美国往事》，当时就在想，同为“黑帮专业户”的汤老师难道不能有什么片子也让人哭上一遭吗？

巧了，结果晚上就补课看了一个《传奇》，哭得稀里哗啦（尽管外媒打分没有很高，我却觉得绝对值8分以上。

导演布莱恩·海尔格兰德擅长的其实是编剧而非导演，而自2015年的《传奇》后，他隔了八年才在2023年再执导筒）。

是我无知了，原来，十年前，汤老师就已经拍出一部“伦敦往事”了。

虽非《美国往事》那一挂，前三分之二甚至很多桥段“黑喜”得让人乐不可支，可后三分之一画风突变，如同点燃一颗催泪弹，哭爆。

尽管《卫报》有评论说那场家暴戏与原型人物不符，但泪点初始的确就是那场家暴戏。

汤老师令人心心念念的复杂眼神演绎，终于有了配得上的催泪效应。

2015年实在是汤老师的大年，拿了奥提的《荒野猎人》是这一年，大爆之作《疯狂的麦克斯4：狂暴之路》是这一年，《传奇》，也是这一年。

十年前带着《传奇》参加TIFF时，他说：Just to get a job is pretty cool. I’ve far exceeded my expectations. I just came to deliver a pizza and I’m doing pretty well.