总有那些时候,别人看你的眼光是轻视,自己知道自己的糟糕,却不改变。
也许是无从改变。
但也总有那些时候,会觉得自己很好,一切都很好。
何需在意别人的注视与眼光。
微斜的嘴。
老土的眼镜。
做爱后打电话骂仇人。
鲨鱼装真的很可爱。
两颗流浪的苹果。
传说是最厉害的黑客实际上只是看些黄色网站。
呼拉圈舞。
谁是放屁王的笑话。
一击即中的海鸥。
瘫痪的老爸说不想上山坡站起来调头。
仇人坐轮椅了还是冲上去打却依然打不赢。
站在山坡上的时候那样的身影仿佛是在说如果我也跳下去了,你会爱我吗?。。。。。。
是的,这里面全是些freak,横看竖看上看下看都是,但又怎样呢?
有时候会因为某种原因对某人产生敌意,那人就会被称做freak,但其实谁知道那人的生活究竟是怎样的呢?
那么我们为什么要因为是别人眼中的freak而惧怕做自己呢?
活在自己的小幸福中,很好。
不是吗?
我想这是jarrod这辈子听过的最美的话了吧现在看电影已经看出了好眼力往往一张海报或片名就可以感知出我的喜好 所以我又压对宝了eggle vs shark多美好 动物世界的童话两颗苹果的爱情一个男孩的成长一个心灵的愈合一片幸福的其乐融融一直以来就想要有一个哥哥或弟弟不想要姐妹因为他们可以被用来崇拜而她们则会用来比较所以jarrod你是这么长大的而lily她是那么长大的你会因为父亲的喜好而隐藏自己的心会装意外来获得别人的注视你想要做出一件事让他肯定 男人的肯定其实 只是他还没有走出悲伤 看不见你罢了不过因为lily一切都变了lily爱爱爱的女生 瘦瘦瘦但却充满力量 每次看到你那蹩脚的表情都想说什么时候你才能痛快的笑出来难道怕你的悲伤或是你的快乐溢出来么?
你好会爱可以说出那么贴心的话 可以做出那么倔强却又可爱的行为闷闷的勇敢着 好电影啦好电影 可爱温情充满童趣的小清新 越发喜欢闷骚人群 闷有什么不好 骚又怎样那只是因为我们有所心灵的小木屋所以继续下去 无以复加哈哈哈哈哈哈
Along with the development of society and technology, the New Zealand cinema has its specific style and the way of telling the story. The New Zealand film industry provided a propelling by the founding of the New Zealand Film Commission in 1978, which encourages the local filmmakers to contribute their creations to the local or worldwide easily. There are many of the successful New Zealand directors influenced by this unique cultural and social background, for example, Peter Jackson, Scott Reynolds, Jane Campion, and Maori director Taika Waititi. This blog-like journal article will provide some information to introduce the film ‘Eagle vs Shark’ (2007) by Taika Waititi; introduce this feature film director; illustrate the film presentation; and comparing with other countries’ film industry, the similarities and differences will be discussed. Firstly, some of the information about the film Eagle vs Shark (2007) will be illustrated. The film Eagle vs Shark (2007) is a New Zealand comedy and romantic film released in 2007. The film director is Taika Waititi. He is the screenplay writer as well. This film is the tale about the eccentric young boy and girl trying to find love. Lily, a shy Meaty Boy fast-food cashier who oddly attracted to the Jarrod, the person who has the social-awkward and neurotic-like personalities. In a coincidence, Lily attends to Jarrod’s costume party, which they are fall in love after the party. Then, they start a journey that travels to Jarrod’s hometown. Lily has to deal with the weird family and her romance. This film was not only produced by the New Zealand Film Commission but also contributed by Unison Films and Whenua Films (IMDb, n.d.). They are all the New Zealand local film production companies, which we can regard this film as pure local funded. However, this film received disappointment at the box office. The budge of this film was around 1.8 million New Zealand Dollars (estimates 1.35 million American dollars) (Cubis, 2019), and received only nearly 1.3 million dollars worldwide (Box Office Mojo, n.d.), leaving the film producers with poor returns. I think the reason why it was filmed is because of the money. The director Taika Waititi’s short film Two Cars, One Night (2004) was earned the Best Short Film nomination of Academy Award in 2004, which makes him famous among the film critics. This caused him easier to collect money from individual film production companies and funded by the government (Dawson, 2007). Therefore, he was made the film Eagle vs Shark (2007) quickly. Another reason the film could be released is culture transmission. I am going to discuss this factor in the later section.Secondly, the producers and actors will be introduced in this section. Taika Waititi, I have to say, he is one of the directors I like the most from my film study. He was the feature director who can expertly tell the story in an extraordinary way. He is skillful for makes comedy, romantics, and horror-comedy. He always inserts uncorrelated elements or combines different kinds of things in the film. For example, he uses comic and humorous ways to demonstrates the epic Marvel Cinematic Universe superhero film Thor: Ragnarok (2017), which provides audiences a fresh view of this tragic and heroic story as a funny and light-hearted fantasy film. He made a film Hunt for Wilder People (2016), he turned this family film into a comic, crazy road adventure film, and received huge positive comments. In addition, he often makes himself the cameo appearance in his own film. For example, he plays the role of Adolf Hitler in his film Jojo Rabbit (2019); he did motion capture and made dub for the character Korg in film Thor: Ragnarok (2017); he also was the protagonist in his television drama What We Do in the Shadows (2014). It is obvious that recently he contributed to the American film industry deeply. According to Mast and Kawin (2011), “The most important filmmakers from New Zealand were from New Zealand and did their major work in England or the United States” (p.552). This way, Taika Waititi as a foreign film director who conveys the New Zealander’s aspects to the western film industry, which brought Hollywood cinema more diverse film contents. When I was watching the film Eagle vs Shark (2007), there is a familiar face appears in the second half part of the film. That is Rachel House, she played Nancy in this film. She also participated in most of Taika Waititi’s films but only played the supporting actor’s roles. For example, the boy’s Aunty in the film Boy (2010), the child welfare service officer in Hunt for Wilder People (2016), and the Grandmaster’s bodyguard in Thor: Ragnarok (2017). Although she was playing a lot of the insignificant roles, she acted perfectly in each minor role. Further, “[Jemaine] Clement has had an equally longstanding partnership with” Taika Waititi (Robinson, 2015, para. 1). He was playing the role of Jarrod in the film Eagle vs Shark (2007). They were worked together for the television drama Wellington Paranormal (2018), and both the television version and the movie What We Do in the Shadows (2014; 2019). Thirdly, the presentation of the film Eagle vs Shark (2007) will be illustrated. Taika Waititi employs the stop motion animation technic to strengthen the main storyline. The two leftover apples are reflecting on their relationship during the film proceed, which is representing well. The rotten apple and the leftover apple are the signifiers, which imply the unsound behaviors and mental defects in their relationship. The stop motion animation has also improved the film in an ornamental and artistic way. In addition, the film contains the indigenous culture in the content which conveying it through audience point of view. Bartlett (2007) in his article argues that Eagle vs Shark (2007) is a film that takes a general view at people’s misfortune through the lens of human ridiculousness with the firm foundation of human emotion. The director Taika Waititi stated the reason he made this film, he says that he created this film is “about giving those who go unnoticed in life a chance to shine on the big screen” (Waititi, 2007). Therefore, we see the New Zealand indigenous film director has the social responsibility to let the audience focus on the vulnerable normal people within the society, which is the way to delivers the local culture to the audience. The New Zealand filmmaker, especially Maori people sees “certain entities as more important and intrinsic to their cultures than others, they occupy different social and economic realities” (Thornley, 2011, p. 116). As the Maori people, Taika Waititi was trying to introduce his Maori culture to the audience through the film implicitly. We can find many Maori signs and Maori Whare as the background in the film. He even created the Maori- European family and showed the Maori family’s daily behaviors and rituals in the film. Further, I found that the use of language or dialogue of Eagle vs Shark is quite interesting. I can see the Taika Waititi inserted many of the classic dialogues from different Western films. For example, Damon talks to Lily through the phone says: ‘Hello, this is Bond, James Bond. Please leave a message, shaken not stirred.’ It is obvious that this dialogue comes from James Bond films around the 1950s to recent years. Jarrod says to Lily, ‘I’ be back’. This is a tagline from the film The Terminator (1984). I was found that the little girl from Eagle vs Shark does Travolta’s dance move from the film Pulp Fiction (1994), which is the famous and symbolic element in Quentin Tarantino’s film Pulp Fiction (1994). Also, I was found the not obvious sitting for this film, which is the A Clockwork Orange (1971) poster hangs on the scene Jarrod welcome Lily to the party at the doorway (I made the screenshot below). I assume all these plots were the Taika Waititi’s greeting to all the senior film directors. It is also the sign of cultural fusion between New Zealand and Western countries. Yet, compared with western films especially American Hollywood cinema, the film Eagle vs Shark (2007), the differences have appeared. First, according to Maltby (2013), “we shall look not only at how movies work formally and aesthetically but also at their culture function as consumable goods in a capitalist economy” (p.7). although Eagle vs Shark (2007) presents vivid New Zealand original and local love story features, as Taika Waititi states ‘indigenous people should be telling their own story’ and ‘making themselves part of the culture and really learning about it, instead of someone else from another culture coming in and telling our stories…’ (Erbland, 2018, para.6), it is lacking the tremendous plot changes. Lily and Jarrod, don’t have outstanding love, they have no proper date or dinner, and they don’t wear beautiful clothes. They even feel luxurious when they are going to the movies. these just remind me that Taika Waititi’s statement of the purpose of making this film, which is just reflecting the normal couple’s life in the audience’s mind. However, this is the opposite theme in Hollywood romantic comedy films. In conclusion, this blog-like journal article analyzed the New Zealand film industry, using the film Eagle vs Shark as an example, illustrates the unique presentation of the film, and comparing it with other countries’ film industry, the similarities, and differences of the romantic comedy films. Overall, the New Zealand film industry is ongoing developing. Their feature film especially film made by Maori-dominant filmmakers are contained their own social and cultural background, which deliver the national identity worldwide. Although the film Eagle vs Shark (2007) made a failure in box office internationally, it was praised by film critics, which earned the reputation for Maori filmmaker Taika Waititi globally. Hence, New Zealand’s lifestyle and cultural background being known by more and more audience from then on. FilmographyA Clockwork Orange. (1971). Stanley Kubrick. (Dir.). Warner Bros, Polaris Productions & Hawk Films. Warner Home Video. (DVD, 2001).Boy. (2010). Taika Waititi. (Dir.). Whenua Films, Unison Films & New Zealand Film Production Fund. Vertigo Releasing (All Media, 2017).Eagle vs Shark. (2007). Taika Waititi. (Dir.). New Zealand Film Commission, Unison Films & Whenua Films. Atlantic Film. (DVD, 2008). Hunt for Wilder People. (2016). Taika Waititi. (Dir.). Piki Films, Defender Films & Curious Film. Sony Pictures Home Entertainment. (Blu-ray & DVD, 2016).Jojo Rabbit. (2019). Taika Waititi. (Dir.). TSG Entertainment, Piki Films & Defender Films. Walt Disney Studios Motion Pictures. (All Media, 2019).Pulp Fiction. (1994). Quentin Tarantino (Dir.). Miramax, A Band Apart & Jersey Films. Lionsgate Home Entertainment. (Blu-ray & DVD, 2011).The Terminator. (1984). James Cameron. (Dir.). Cinema `84, Euro Film Funding, Hemdale & Pacific Western Productions. MGM Home Entertainment. (DVD, 2001). Thor: Ragnarok. (2017). Taika Waititi. (Dir.). Walt Disney Pictures & Marvel Studios. Walt Disney Studios Home Entertainment. (Ultra HD Blu-ray, Blu-ray & DVD, 2018).Two Cars, One Night. (2004). Taika Waititi. (Dir.). Blueskin Films Ltd, Defender Films & New Zealand Film Commission. What We Do in the Shadows. (2014). Jemaine Clement & Taika Waititi. (Dir.). Unison Films, Defender Films, Funny or Die & New Zealand Film Commission. Paramount Home Entertainment. (Blue-ray & DVD, 2015).What We Do in the Shadows. (2019). Jemaine Clement (Dir.). FX Productions, Two Canoes Pictures & 343 Incorporated. Walt Disney Television. (All Media, 2019).ReferenceBartlett, M. (2007). Animal Instincts: ‘Eagle vs Shark'. Metro Magazine: Media & Education Magazine, (155), 26.Box Office Mojo. (n.d.). Eagle vs Shark. Box Office Mojo. Retrieved from: https://www.boxofficemojo.com/release/rl3444475393/weekend/Cubis, S. (2019). ‘Eagle Vs Shark’ is New Zealand’s best movie of all time. SBS. Retrieved from: https://www.sbs.com.au/movies/article/2019/04/08/eagle-vs-shark-new-zealands-best-movie-all-timeDawson, N. (2007). Taika Waititi, Eagle VS Shark. Filmmaker. Retrieved from: https://filmmakermagazine.com/1268-taika-waititi-eagle-vs-shark/#.Xo_B4lNLgWpErbland, K. (2018). Taika Waititi says ‘Hollywood is running out of ideas’, but not diverse filmmakers – TIFF. Indie Wire. Retrieved from: https://www.indiewire.com/2018/09/taika-waititi-hollywood-diverse-filmmakers-tiff-1202002607/IMDb. (n.d.) Eagle vs Shark. IMDb. Retrieved from: https://www.imdb.com/title/tt0494222/Maltby, R. (2013). Hollywood Cinema. (2nd ed.) Oxford, England: Blackwell Publishing. Mast, G. & Kawin, B. (2011). A Short History of the Movies. (11th ed.) Hoboken, NJ: Pearson. Robinson, T. (2015). Jemaine Clement and Taika Waititi on their years-in-the-making vampire comedy What We Do in The Shadows. The Dissolve. Retrieved from: https://thedissolve.com/features/interview/923-jemaine-clement-and-taika-waititi-on-their-years-i/Thornley, D. (2011). ‘From a Maori point of view to look at a Maori film’ Maori New Zealanders talk about watching indigenous films. Journal of International Communication, 17(2), 107-120.Waititi, T. (2007). Eagle vs Shark. Optimum.
新西兰导演的早期小成本电影,刚开始可能有些不知所云,甚至觉得荒谬,但是可以让人大声笑出来的那种荒谬。
很多人觉得电影在讲爱情的美好,一个自卑的快餐店女店员,爱上了一个大loser。
不如讲是治愈与和解。
男主奇奇怪怪和女主的畏畏缩缩,想看爽剧的朋友大概率是要失望的。
男主从小活在被校园bully的阴影里,兄长光芒过人,家人也不太看得到他。
尤其是他最在意的父亲,哥哥自杀后一蹶不振,干脆坐上了轮椅,连腿脚都懒得用了。
他就是那颗烂苹果,但一直在用看起来完好的外表伪装自己。
所以才会有年少时party过后的乱搞,并生出了一个女儿(小女孩真的是全片最健康也最可爱的)。
所以才会有和Lily交往并带她回家后,不停撒谎她是艺术家音乐家等等等等。
他的目的当然也只有一个,那就是证明自己不是一个loser。
而Lily虽然自卑寡言,看起来低眉顺眼,但其实内心是有自我和原则的。
比如被分手后,在party上放飞自我,她当时给男主那一个丝毫不care的眼神真是惊艳到我了。
这是极易往大女主爽剧上走的。
但我错了,它没有这么劣质。
所以她才会变成了帮助男主自愈的人,通过她小米粥一般的温情。
简直就是天使。
一个小彩蛋:挂在墙上那张全家福里的,死去的大哥,就是导演本人客串的。
看这部片子之前其实需要做好心理准备,要么很“雷”,要么大爱。
我觉得这是我看过的最古怪的电影了,当然论搞怪个性可能这部新西兰独立电影不算什么,但是至今为止它是我唯一一部看过的里面的角色没有一个不是“怪人”的电影。
Lily很古怪,其实长得明明算是漂亮伶俐,但是就透着一份怪异一份呆。
同时叫她“疯女人”,老板耍花招就是要辞退她,但是她不抱怨,只傻笑。
她暗恋那个在音像店打工每天来快餐店吃饭的男孩Jarrod。
两个人在一个动物变装的Party上熟识,恋爱了。
Jarrod其实也很怪异,喜欢做一些奇奇怪怪的DIY,情绪经常不稳定,还有一些诡异的举动,比如说做完爱就躺在床上打恐吓电话啦口口声声说要复仇啦之类的。
后来这种怪异在Lily陪他回到家乡的时候一点一点浮出水面……我很喜欢这个故事。
和里面所有的人物,包括Jarrod的那群稀奇古怪的家人和朋友。
估计最开始谁都不会喜欢Lily这个女孩,总是耷拉着嘴角一脸愁相,哪怕笑的时候你也想扁她。
傻乎乎的,呆呆的,不知道脑子里想些什么,感觉不正常。
唯独在看着自己喜欢的人的时候,那发自内心微笑的眼睛很可爱。
但是后来,你会觉得她很可爱,很温柔,很大度,永远不抱怨,心肠很好,她其实有很多优点,喜欢唱歌,喜欢运动,喜欢交朋友,做很多事都很有天分,很容易接纳身边的人。
你会觉得Jarrod伤她的心实在太不是东西啦!
你会禁不住想Jarrod一定会后悔的,一定!
你会跟Jarrod的家人一样,开始喜欢她,开始和她打成一片。
我就慢慢开始喜欢看她抱着细长的腿坐在那,头发别个可爱的发卡,发呆;喜欢看她光着脚猫着腰起劲的在那个大圆木里奔跑……然后看着她穿着Jarrod姐姐自己做的运动服化着妆去参加小镇的party,喝酒,疯狂的跳舞,弹吉他,在众人的欢呼声中摇着呼拉圈跳舞,然后在欢呼的高潮中直接跑掉,一路跑过树林一边把衣服都甩开最后在灌木丛里睡着……我觉得她好酷。
她真酷。
Jarrod的复仇大计最后变成闹剧,他一个人抓着睡袋跑到山坡上,Lily套在红色的睡袋里亦步亦趋跟着。
她爱他,尽管他很糟糕。
他说“I'm a loser.”她说“I know,it doesn't matter.”她在蓝天下造地上躺在他身边,陪着他,注视着他。
她说,“我有两点要说明。
一、明天早上我会做巴士离开这里。
二、第一点可以改变。
”喜欢她,好像喜欢这部电影一样,慢热型的说说Jarrod。
老实说我觉得他很不好看。
而且傻。
而且呆。
而且有点装二百五。
其实他很自卑,于是喜欢说谎躲避。
这种人我见过,习惯性说谎症,已经是一种交流方式了,条件反射一般的对于所有任何有必要说谎没必要说谎的大事小事都要保留一点真实的元素。
怎么说呢,大概是因为自卑吧,所以觉得自己的事情不被他人掌握才安全。
靠一些无聊的小玩意来维护自己的自尊和面子。
但是Lily爱他。
所以他一定能幸福。
我真喜欢那个场景:第二天一早家人们送Lily去做巴士回城里,他站在写着“kick your ass”的墙边,手里扯着几朵洁白的百合,等着Lily……实在太有爱了。
结尾的CG很有趣,Lily丢掉的苹果核坐在拖鞋上顺流而下漂到一个岛上,遇到了Jarrod当初咬了一口丢掉的烂苹果,一见钟情然后坐在一起看海边的夕阳…………怎么那么可爱啊 其实这就是一个苹果核和烂苹果的爱情故事吧?
或者说,这是一场动物的爱情:一只老鹰和一条鲨鱼么?
他们彼此欣赏着对方的怪异,他们最契合,他们最般配。
爱情对动物来说就是知觉,而老鹰和鲨鱼都是凶猛的动物
我的小伙伴国宝有一天和我说,他度盘给我分享了一部电影,还说看完就知道为什么推荐给我了。
然后我就看到这部很可爱的新西兰爱情电影,说女主丑,不如说她不讨喜,可看到一半的时候就在想,Lily这么善良单纯的好姑娘怎么就眼瞎看上男主这样从小遭受校园暴力心理扭曲的中二装逼青年呢?
也许只是因为他们都有嘴唇上的痣,而现实中的我,也有一颗唇上痣。
Lily和性格孤僻的弟弟一起生活,她不善言辞交际,却是个心地善良的姑娘。
在当下的价值观里,善良也是我们羞于提起的一种美德了。
一个善良不懂取悦别人的人更多的时候要承受的是逆来顺受的欺凌,而这个世界的恶意似乎也都喜欢侵袭那些善良没有防备的人。
Jarrod小时候肯定是个孤僻没朋友的小屁孩,一直以来被校园暴力所困扰的他,找到唯一让自己有存在感的方式就用浮夸和虚伪的方式扮演自己,他说谎是因为心虚,想要被人在乎。
他说自己是正义的化身,要去雪耻,那也不过是自己面对恐惧和失败童年的失败救赎计划。
「我是个loser」 「我知道,但我不在乎」 Lily用爱来化解Jarrod身上的戾气,救赎这颗孤独的心。
因为受过伤,过于敏感的人总是包裹着自己的心,小心翼翼的去接触这个世界,内心最柔软的地方,也只为真爱自己的人敞开。
当他在车站等她,拿着一束百合花,这故事就有了一个最好的结局。
这世界上有个法则就是负负得正,两个孤独的人,两个没用的人加在一起,也许会有不一样的活法。
喜欢电影里那两颗苹果的定格小动画。
苹果核对烂心苹果一见钟情,于是烂苹果有了心,两个孤独的人相互取暖,也就有了爱。
爱情啊,从来都不是一帆风顺的。
两个人能走到一起也是很不易的,如果有个傻瓜一直对你那么好,就算你一开始并没有那么喜欢TA,也不可以让TA伤心难过,试着敞开心扉,试着用心感受,也许你会发现自己已然怦然心动了。
You’re a jerk. But everything I need.这是我的概括。
可是这里的丑男似乎心灵并不如何美。
开篇shark对着镜子自言自语像极了You and Me and Everyone We Know里的Miranda July。
同样是瘦弱扁平的卷发女,发音时低沉的闷声闷气都相似。
这样怪味心灵鸡汤式的小电影,的确容易讨那一部分观众的欢心,比如我。
与此同时,其中有一部分人略为挑剔地试图寻觅个中内涵或者说一种突破,又比如我。
[Eagle vs Shark]的确与众不同。
而它吸引我的更多地方还是为其不断加分的琐碎花招。
苹果核与被咬了一口的烂苹果的相遇,是我认为最要竖起大拇指的了。
垃圾筒里写着Lily的小纸片,还有舞台上从天而降的,也是不错的设置。
道具在这部电影里功劳最大,包括传说中的一颗假痣吧。
【鹰与鲨鱼】的故事,孤单的故事,苹果的故事。
被啃光的女苹果核被抛弃在房子外面的花园里。
一群蚂蚁企图把她搬走并且不停向她喷射有毒液体。
苹果核受了惊立马站起来匆忙逃跑,甩掉仍然在咬她的几只蚂蚁。
跑了很久看到一只躺在水边的凉拖。
她蹦上拖鞋朝水的对岸划去。
在夕阳中,她看到了孤零零靠在礁石上的男虫洞苹果。
虫洞苹果无力地抬头看她却与她擦出火花心生爱意。
于是两只苹果一同坐在沙滩上看着夕阳西下温暖无边。
于是两只苹果不再无助,两只苹果一起等明天。
感谢Yoyo给我一部有意思的片子。
新西兰的英伦特质很明显,我指的是底层一点的。
12.05.07
爱一个人本来就是很简单的事喜欢偷看他,跟他说一句话先练习一百遍,对他的时间表比他自己还熟悉能够认识他,吻他,跟他做爱,跟他回家不就是最快乐的事吗?
即使爱上的这个他脾气很臭不那么好接近,貌似不喜欢自己,心里有别的人……又有什么关系呢?
爱他就去爱啊,想那么多干嘛!
lily多可爱啊,人家就直接去爱了,而且很执着终于在一起了,这才是happy ending!
而你呢,就这么沉默的看完了,就算了,还是继续你的自闭路线……真无语了
(鹰对鲨)给我的第一感觉是:当故事情节或生活压抑到无法进行的时候,需要一种东西让你突然开怀大笑……后面有点像漫画,挺好的,配上新西兰perfect的乡村风光淡淡的叙述
怪诞的故事拍成这样,难得
音乐和氛围不错,但是故事实在不喜。
这是一个顽皮、非常态的爱情故事。
男主简直太retard了
怪异路线。她不合时宜却总不抱怨。他说谎逃避但心里有爱。奇怪得来还是蛮好看的啦。
剛看完時那滿頭的黑綫啊。。。現在想想還行
这个男主实在是2过头了,一点可爱的地方都没有片子还可以
男主真的又丑又渣
I find this not boring, which is weird
这电影怪到,男主角丑且怪到我无法评价了简直。。。怪到值得一看。可是英联邦国家的冷幽默真的对味。。。
在快餐店工作的女主莉莉喜欢上了食客怪人杰罗德,后来在化妆游戏派对上男主扮的是老鹰,女主扮的是鲨鱼,两个游戏高手相遇并开始恋爱,不过这样的两个人自然情路坎坷。莉莉的泡沫爱情&杰罗德的复仇在一些意料之外的事情后让彼此明白做任何事其实都应该忠于自己的良心。
谎言才让我们成长
治愈系怪咖片。同类型风格清新可爱、构图考究的小品喜剧太多了
怪人
诡异男跟诡异女的神秘爱情故事……电玩男跟电玩女的诡异爱情故事……莫名其妙不合群不受欢迎的两个人的故事有些看不懂
互相取暖~
如果你是一个怪物,那么世界上一定还有另一个怪物用欣赏的目光在注视你。 那些在别人眼中的古怪也许正是她眼中的可爱。
古怪又可爱的爱情
未免也太甜蜜啦
小众电影。遇到同类是幸运,是幸福。